| Three Japanese miniatures | Soprano and orchestra | Feb 2011 | |
| Jito Tennoh- from Ogura Hyakunin Isshu | |||
| From the Kokin waka shu (Summer, 139) | |||
| From The Narrow Road to Oku, by Basho Matsuo | |||
| Cavafy Cycle | for solo voices, mixed choir, and orchestra | 90′ | Jul 2012 |
| Τείχη, [Tíhi-Walls] | |||
| Μονοτονία, [Monotonía-Monotony] | |||
| Φωνές, [Fonés-Voices] | |||
| Για νάρθουν, [Yia nárthun-To call up the shades] | |||
| Επέστρεφε, [Epéstrefe-Come back] | |||
| Περιμένωντας τους Βαρβάρους, [Periménontas tus Varvárus- Waiting for the Barbarians] | |||
| Στην εκκλησία, [Stin eklisía- In church]/Όταν διεγείρονται, [Ótan THieyíronte-When they come alive] | |||
| Δέησις, [THéisis- Prayer] | |||
| Interlude, The City/Η Πόλις [i pólis] | |||
| I’ve brought to art, Εκόμισα εις τήν Τέχνην [ekómisa is tin Téhnin] | |||
| When they come alive | |||
| Understanding, Νόησις [nóisis-understanding] | |||
| Ηδονήι [ITHoní-to sensual pleasure]/To sensual pleasure | |||
| To call up the shades | |||
| Voices | |||
| The God Abandons Antony | |||
| Things Ended/Τελειωμένα, [Telioména-things Ended] | |||
| Ιωνικόν, [Ionikón-Ionic] | |||
| Κεριά, [Keriá-Candles] | |||
| Επήγα, [Epíya-I went]/Τα επικίνδυνα [ta epikínTHina- Dangerous thoughts | |||
| The Completed Parthenon on Calton Hill | soprano and orchestra | Jun 2015 | |
| A poem by Ron Butlin | |||
| Subito | soprano and orchestra | Jun 2015 | |
| A poem by Vassiliki Rapti | |||
| Kores | Soprano and str. orch. | Nov 2017 | |
| Poetic text by Vassiliki Rapti | |||
| Hadaf | Tenor and orchestra | Mar 2018 | |
| Poetic text by Smadar Sharett | |||
| Donati Cycle | Soprano and str. orch. | Apr 2018 | |
| Three poems by Colin Donati | |||
| Ancient and now | |||
| Generated by the Sun | |||
| Coda | |||
| Nissyros | choir and string orchestra | WIP | |
| Text by Kostas Rekleitis and Vassilis Petropoulos | |||
| Shapeless Land I | |||
| Polivotis | |||
| Sedimantalis | |||
| Genius Loci | |||
| Shapeless Land II |
